#Sony slog lut skin
#Sony slog lut professional

This new sensor and its BIONZ XR processor can shoot at the exact same 4K 120fps resolution as the FX3 and A7S III and match its 4K 60fps 10-bit 4:2:2 capture, too. The Sony FX30 is like a lower-cost alternative to the FX3 this time borrowing the body of the FX3 but fitting it with a new 26.1-million-pixel BSI APS-C CMOS sensor. (Just to confuse things, Sony has also launched an A7S III variant, the Sony ZV-E1, to join its small but growing line-up of vlogging cameras.) This difference in form factor made it relatively easy for filmmakers and photographers to choose their preferred body style. Externally, though, there are very significant differences, with the FX3 losing the electronic viewfinder, gaining a chunkier body, and 3/4 inch sockets for adding filmmaking accessories.

Arriving six months after the Sony Alpha A7S III, it uses the same sensor and processor and its shooting features are virtually identical. In February 2021, Sony released the FX3 Cinema camera with a 12.1-million-pixel full-frame BSI CMOS sensor. You could use the FX30 handheld, but it’s equally suited to mounting in a rig with lights, microphones and external monitors. The FX30 shares the same two-tone ‘cinema’ styling of the FX3, its advanced video capture features, its digital interface and external threaded mounting points. What distinguishes a cinema camera from a regular camera is a combination of design, interface and digital interfaces. Its natural compatibility with the best Sony E-mount lenses, including a number designed for the smaller APS-C format, add to its appeal.

#Sony slog lut professional

Its combination of professional video features and an affordable price tag make it altogether unique. It is certainly one of the best cameras for video for higher-end users if not among our best mirrorless cameras. The Sony FX30 is surely one of the best hybrid cameras for mixed stills and video content creation around. Some of my LUTs have more contrast than others for a more creative look.The Sony FX30 (left) is essentially an APS-C/Super 35mm version of the full-frame FX3. My intent is to not “destroy” the image with too much contrast or saturation like many other LUTs out there do, so consequently, additional contrast or saturation may be needed to your footage to suit your preference. In many cases, they look great without any other corrections (when your footage is exposed and balanced properly), but I intentionally do not stretch the contrast/saturation very far so as to work in all lighting conditions. *These LUTs are designed to give you a starting point for color grading. I prefer this for low-light scenarios over Base. I prefer this for low-light scenarios over Base.įaithful Alt: Same as Faithful but just a touch less warm in the highlights.

#Sony slog lut skin

Accurate colors and skin tones.įaithful: Less aggressive contrast curve than Base.

More aggressive contrast curve than Faithful. Ideal for Rec709 timelines/exports.īase: Great one-click starting point for Rec709 transform. I do not recommend this for 8-bit capture. This LUT pack is perfect for any Sony camera that shoots in S-Log3 in SGamut3.Cine in 10-bit color. A fantastic one-click Rec709 transform LUT for Sony S-Log3 (SGamut3.Cine).